I MADE A CLOCK


By


Michael Finnemore


Featured on a BBC live television show called "All Your Own" with Huw Weldon.     May 1st 1955.
This clock was a sensation and still ticking after 60 years.
 
 

If the payment rate was £5. 5. 0. for 1000 words, then how many words did Michael write for a payment of £2. 17. 9.?

   
 
 
 
 
 
1956
 
 
I MADE A CLOCK
Written for the BBC Children's Annual                 1956 - 1957
 
The artist chose his own design for the case!
 
 
 
The Making Of A Clock Started Around 1951/52
 

 

 

 

HIS “WONDER” TIMEPIECE

 

Michael reminded me (brother John) that I had built a clock from a Meccano instruction book and that he copied me and built the same clock.

He found that his clock was not as good as mine because I had a better clockwork motor. This was a very simple clock that did not go for many hours.

While I was away at boarding school, Michael set about improving his clock by turning it into a wall clock driven by weights. His clock then went for more than a day. To improve it more, he added striking the hours and chiming every quarter. There was also an alarm.

There was a lot of testing on the length of pendulum. During the night, on several occasions, the sixteen pound weight fell to the floor. My little sister Pam, sleeping below would be woken up, covered in bits from the beam in the ceiling! 

To add more gadgets, Michael had to design a clock-face that would fit into an old grandfather clock-case that Eric Bunting had given him. When he was sure that he could put all the mechanism needed into such a compact space, he then made the clock-face.

 
This first article is from the Alcester Grammar School Magazine.
It is when the clock was now a wall-clock, chiming every quarter and striking the hours. It also had an alarm. 
In the newspaper cutting, it states that ("there is a slight difference because the earth is not quite round"). This is incorrect. It is because of the orbit of the earth around the sun.  

 
The next stage was to convert the wall-clock into a grandfather clock and add many more features. 
 
Michael with his clock that now stands in the kitchen of an old manor farmhouse in Buckinghamshire.   Meccano strips bolted together have replaced the original brass curtain rod for the pendulum.
The door of the clock is not that shape. It must be the way I photographed it!
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The art teacher, Mrs Harrison at Alcester Grammar School wrote to the BBC about Michael’s clock and 3 weeks later a telegram arrived. Dated 7th April 1955.

 

 
 
MY TELEVISION DEBUT
As written for the Alcester Grammar School Magazine by Michael Finnemore.                             July 1955
 

MY TELEVISION DEBUT

    
It was very nearly dinner-time on the first day of the Easter holidays, and I was already beginning to feel bored. Then there was a knock at the door and to my surprise a telegram for me. (Dated 7th April 1955.)

I was even more surprised when I read it, to find that I was to ring Shepherds Bush immediately with regard to my clock. I had a slight notion what it was about, because Mrs. Harrison, our art teacher, had written up to the B.B.C. about my clock only three weeks before, but we hardly expected anything to come of it.

We rang Shepherds Bush and arranged to meet the Editor at the Birmingham studios a week later. This we did, and before she had even seen the clock, she said she would have me on her programme, "All  Your Own", on May 1st. Three days later she came down to see if it really did work, with "Mr. Sproggett" of The Archers (Philip Garston-Jones) as her chauffeur. (Philip Garston-Jones later played Jack Woolley for 18 years).

 


All His Own         A Clock Built from ‘Scroungings’

In a corner of the dining-room of an old farmhouse at Walcot, Haselor, near Alcester, stands a neat grandfather clock, with an unusual and elaborate face. To-morrow the clock will be dismantled, packed into the family car and its 16-year-old constructor and his father will set out for London.

On Sunday afternoon television viewers will see and hear Michael Finnemore demonstrate this product of his acute mechanical mind and clever hands in a programme All Your Own.

The clock shown here, chimes at each quarter and strikes the hours, but has a lever to check all this if desired. It gives the date, and indicates the phases of the moon and signs of the Zodiac. It gives the current  G.M.T. of sunrise and sunset, and shows the small variation between sundial time and G.M.T.

The hour hand moves round once in 24 hours and a superimposed disc gives the correct time practically anywhere in the world. A second hand has been included.

The mechanism has “99 cogs and bicycle bells, curtain rods, bits of pump and various other scroungings went into the works.”

Michael is the second son of Mr. and Mrs. Philip T. Finnemore, and a pupil at Alcester Grammar School.

 

Copied from the Birmingham Post. April 29th 1955

 

 

The letter above says   

Will you please bring all the sheets of paper and books concerning the mathematics of the clock - this is important Michael, and I would like you to bring all you have got.
Here are just a few of those sheets of paper.

 

 
 
 
Telegram dated Thursday 28th April 1955  
  The BBC Hostel, 17 Princes Square, Bayswater, London W2, that the BBC had booked for Michael and my father, was no longer available because the people who were staying there in the week to go to work, were unable to go home at the weekend because of a rail strike. They were then booked into the Hotel Meurice, 36 Lancaster Gate, London W2.

This is the time that Michael had to be at the BBC Television Studios with the clock in London on Saturday 30th April 1955. The next day will be the live broadcast of "All Your Own" on Children's Hour.

 
 
 
 
 

MY TELEVISION DEBUT continued

My father and l went up to London by car with the clock taking up most of the room. This was on the Saturday, for we were to stay the night and return on the Sunday, after the programme. We arrived at the Lime Grove studios just after six o'clock and, after unloading the clock and carrying it for what seemed miles along studio passages, we came to a room where I assembled the clock so that the interviewer, Huw Wheldon, could go over the procedure with me. This took until ten o'clock, after which we went to our hotel.

 
 
A Very Amusing Story On Car Parking Near The Hotel, But One Person Didn’t Think So!  

Arriving at an indoor car park, near the hotel, late at night, the car park attendant  wanted to park the car himself but my father wouldn’t let him. The attendant got very annoyed with my father and he then decides to race round to the other side of the car, opens the front passenger door and jumps in. There was one almighty howl, then shrieking with pain. What he hadn’t realised was that there were only metal brackets sticking up from the floor because the front seat had been removed to make space for the clock!

The car was the first new car that my father had bought and the waiting time to get one, took years after the war. It was the top of the range Wolseley 6/80 and had a six cylinder engine, the gear change was on the steering column and the handbrake was near the driver’s door. It had leather seats and it even had a fitted heater! A lot of police forces had this make and model of car. The car was my fathers’ pride and joy and no stranger was going to drive it, and especially for a tip!


Wolseley 6/80

MY TELEVISION DEBUT continued.

 

We had to be at the studios again at a quarter past ten the next morning, when, for the first time, we went into the televising studio. This was a very large room with about forty cameramen and other "back-room boys" wearing headphones. They were operating the electrically-driven cameras, which moved across the room without a sound.

 

After I had reassembled my clock once more we had a rehearsal which was mainly for the benefit of the cameramen, so that they could get their positions after each item. They were televising us and we could see ourselves on the monitors, but they were not transmitting it.

 

In the afternoon we had another rehearsal, which was a complete run through of the afternoon's programme. After this I set the clock ready for the actual programme, and then we went for tea. It was now about twenty to five, and before I had even drunk my tea, I heard this over the loud speaker system: "Will the owner of the grandfather clock come to studio E immediately." At once the thought that it had been knocked over crossed my mind and I began to get worried. When we reached the studio after getting lost on the way, we found that it had only been knocked, and, as a result, it had set the pendulum vibrating at a terrific rate. In five minutes it had covered three hours to the accompaniment, of course, of the chimes and strikes. All I had to do was to steady the pendulum; at which the astonished onlookers remarked: "We thought of doing that, but we thought we had better not touch it."

 

Soon after we had finished tea the programme went on the air and the moment I had been waiting for, for three weeks was, at last, materialising. Nevertheless, my worries were not over yet, because, in running round the back of the cameras to get to me, Huw Wheldon tripped over a cable and landed at my feet. He managed to get up just in time and the viewers received no indication of what had happened.

 

Taking things all round, we had a very interesting and enjoyable week-end, and I might add, for the benefit of some humourists, that as far as I know, shares in the TV tube trade have not gone up.

M. P. FlNNEMORE (VA).

  This photograph was used to make a Christmas card.

The BBC received a phone call while the television programme was still on air.

It was only from Baron Rothschild offering Michael a job in his clock manufacturing company!

McDonald Hobley the well-known television presenter telephoned the message to the studio after the live broadcast had finished.

The “All Your Own” programme, each week featured about 5 children demonstrating their talents or showing off their collections. It was on Children’s Hour between 5.00—6.00pm. Harry Corbett & Sooty was on first and then at 5.20pm “All Your Own”.

The TV Series of "All Your Own" ran from 1952-1961.

After the programme there was signature signing.
 
 
 
 
 
 
 

 
 

The Face of the Clock is made of Galvanised Metal from a Water Trough 

Phases of the Moon

Seconds

Days of the Month

Strike or Silent

24 Hour Clock with Time in all parts of the World

Days of the Week

Signs of the Zodiac

Alarm

Months of the Year

Sunrise and Sunset for London

The Equation of Time
The difference between Sundial Time and GMT

 

 
 

The Compact Movement On This Meccano Clock That People Find Unbelievable. 

There are 3 bicycle bells which are placed vertically for the chimes. The chimes increase in length every quarter of the hour. 

There is one bicycle bell that strikes the hours and just underneath in the middle of the movement is another bell that rings the alarm.

 
-----------------------------------------
 
The Back Of The Clock Mechanism (the correct term is movement) With The Pendulum Removed.
There are 99 cogs in the clock. There are gear cogs which mesh with other gear cogs and there are sprocket wheels that mesh with chains. Most grandfather clocks have a striking train and a going train with 2 weights. This clock has a 5 train movement with 3 weights.
 
 
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The hotel bill of 35s. 0d. each is £3.50 for two people in today's money.  
 
 
After the programme there were letters offering Michael clock making tools and old clocks. People wanted information and clock repairs done. They also wanted to come and see the clock in a farmhouse situation.
 
  Page 2 

My Dear Michael.......... About a month ago I saw you on Television....... And the master piece A Meccano grandfather clock.
     Well I have been a Meccano builder for 20 years and I 've been over a year trying to get my grandfather clock to go....... its the old super leaflet (21) and written in German as no Meccano leaflets have been printed since the war on clocks. I've written to Meccano Liverpool and no results.

But you were on TV with this wonderful clock...... I've never seen anything so clever!...really I think you would be surprised the number of people I have heard remark about this clock.
     Well Michael....... I wrote to the TV studios and they gave me your address.
I wonder can you help me in this detail......... How much the weight is? The length of pendulum? and how do you fix chain on weights...... mine is one.......... Would you give this information....... will you be able to publish this in Meccano Ltd.... or is there a leaflet how you made this clock.

 

 
       We saw you on television Sunday & congratulate you and your fine clock.
I was wondering if you would repair a cuckoo clock & a grandfather clock for me if I were to bring it over one afternoon. I cannot get any watchmaker to do it for me





 

Some people did not have their own television set in 1955.
   
 
 
 

 

This letter below was the one that Michael was most interested in from a job point of view and eventually he went and worked for the company after getting a First Class Honours Degree in Electrical Engineering at University College London.

 

 
 
 
 
 
From the Alcester Grammar School Magazine           December 1955
 

ELECTRONIC BRAINS

 

Electronics. This is a word of which we hear more and more every day. Whenever we pick up the paper we read of some new development or use to which this comparatively new science has been put. When I read about these things, I wonder how it is all done, so you can imagine my delight when, during the summer holidays, I was invited to look round the works of a firm which specialises in the making of electronic calculating machines. Of course I accepted the invitation, and a date was fixed for me to go.

The tour started in the morning, when my father and I presented ourselves at the firm's offices in Park Lane, London. Here we had a demonstration of all the machines made by the firm, showing us the numerous uses to which they could be put. All of them were not electronically operated, but, nevertheless, they were all very complicated.

The machines are all worked on the punch-card system. With this system the data for any problem to be calculated is punched in a card in terms of holes. The card is then fed into the machine, which distinguishes between their positions and then types or punches the result at the other end of the machine.

After dinner, we were taken out to Letchworth to see the actual building of the machines. Here we saw the construction of tabulators, used by large firms to work out their pay rolls, bills and many other jobs.

We then came on to the electronic section, where the building of electronic computers was taking place. These gigantic machines, which would completely cover one side of an average room, were just one mass of wires and valves. There were so many valves, in fact, that the machine had to he kept cool by means of a built-in fan.

With this machine it is possible to analyse, say, the readings obtained from the test flights of aircraft or even calculate the structure of a new chemical crystal. This is made possible by the fact that it has a memory, and can remember data until it is ready to bring it into use.

Another machine which I am sure would be very welcome in the Science Sixth was the electronic calculator. This machine is able to multiply, divide, add, subtract, or even work out equations, at the rate of one hundred problems per minute.

All the machines are made with great precision, and even the manufacture of the cards is no less than a work of art. These cards, which are made of a special type of thin cardboard, have to he made with a great accuracy and checked electrically for any impurity which would otherwise have an effect on the machine.

These highly mathematical machines are becoming ever more popular throughout the world for all manner of jobs, from the filing of criminal records at Scotland Yard to the analysis of the last census. The main emphasis, however, is always on research to improve and to cut down costs, so who knows, the Science Sixth may yet get their electronic calculator, hearing in mind that the present one costs about £20,000 to build!

M. P. FINNEMORE (VI).

 

 
 
 
 
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Before Making a Grandfather Clock
 
 
 
 
 
 
From the FARM IMPLEMENT & MACHINERY REVIEW      AUGUST  1,  1951
 
 
 
MECCANO MAGAZINE                                               OCTOBER     1951
 
 
 
 
 
My father Philip Finnemore is on the right in the back row. Michael's two friends are :- middle front row, John Aspinall
 and right front row, Antony Thornton. 
 
Models of McCormick International farm machinery brought over from America.
 
 
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After Making a Grandfather Clock
 
 
Edited and Produced by John Finnemore, Walcote Farm, Walcote, Alcester.
www.walcotefarm.co.uk
If you have any comments or questions about this webpage, then please email me. john@walcotefarm.co.uk
   
   
 
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